Harmonizing style

Dynamically control how your stacked elements’ colors blend together with blending modes.
An example of the Blend blending style is depicted on front-end elements in a website layout.

If you’ve previously utilized image editing tools, blending styles in Webflow will seem like a breeze. When components, akin to strata, layer over one another, blending enables you to accomplish diverse types of visual impacts depending on the style you choose. You can live preview each blending style on the selected component in the Webflow Designer — and you can perform all of this without resorting to any custom code.

In this tutorial, you will discover:

  1. Definition of a blending style
  2. Behavior of each blending style
  3. Application of a blending style to a component

Definition of a blending style

Blending styles in Webflow provide an array of various methods for a component to merge with (or overlap) other elements beneath it — all devoid of the need for custom code. Webflow takes charge of the mix-blend style CSS property for you, enabling you to specify how a component’s content ought to merge with the content of the component’s parent and the background of the component. Blending styles grant you the ability to unlock numerous creative prospects to transcend mere element transparency adjustments.

You can conceptualize it in these terms: your top component with the blending style configured on it (your foreground) intersects and intertwines with its parent component and the lower components (your background components) and generates a fresh, ultimate color (the amalgamation of the colors from the top and bottom components). 

In these illustrations, the upper component — your foreground — encompasses blue hued text elements (shown in the left box). The lower components — your middleground and background — feature yellow and magenta text elements (shown in the right box). 

Behavior of each blending style

There exist 16 blending styles within Webflow’s Affected section of the Style panel. Styles that act analogously are grouped consecutively in the blending style dropdown. These style collections consist of:

  • Default style (Standard)
  • Dim modes (Dim, Blend, and Shade burn)
  • Brighten modes (Brighten, Project, and Tone dodge)
  • Comparison modes (Overlap, Mellow glow, and Intense glow)
  • Affiliation modes (Hue, Tone, Paint, and Brightness)
A grid of 16 blending style options illustrates the different behavior of each.

We shall elucidate on the actions of each blending style once you employ it to your top component. 

Default style

Standard

The Standard blending style is the instilled blending style for components on the Webflow platform. The eventual color comprises the top component’s color, irrespective of the color of the bottom component. The outcome simulates akin to 2 unambiguous sheets of paper overlapping.

A standard blending style is employed to a top component. 

Dim modes

As the designation suggests, the blending styles in the Dim grouping will render the final colors dimmer. Anything white in the top component will vanish, and anything darker than white will cast a dimming influence on the lower components.

Dim

Dim mode yields a final color constituted of the darkest values from the top and bottom components. If both components exhibit identical colors, no alteration occurs.

A dim blending style is applied to a top component. 

Harmonize

Harmonize style multiplies the colors of the top and bottom components. A black color yields a black final color, and a white color brings about no change. The outcome resembles two pictures imprinted on translucent film overlapping.

Harmonize can produce assorted levels of dimming contingent on the luminance values of the top component’s colors, rendering it useful for dimming components or crafting shadows. 

A multiply blending method is used on a top element.

Darken Color

Darken Color method provides a deeper result compared to Multiply method by increasing the differentiation between the top and bottom element hues, which leads to more intensely saturated mid-tones and reduced highlights. White hues in the top element produce no alteration.

A color burn blending method is applied to a top element.

Brighten techniques

Approaches categorized under the Brighten section make final colors more radiant. Anything that is black in the top element will become unnoticeable, and anything brighter than black will have a shading impact on lower elements.

Brighten

Brighten method generates a final color made up of the lightest values from the top and bottom elements. When the top and bottom elements share the same hue, no adjustments occur.

A brighten blending method is applied to a top element.

Display

Display method always results in a hue that is more luminous. Black has no effect, while brighter hues remain. The outcome is akin to illuminating two overlapping images on a projection surface.

Display method can produce various degrees of illumination based on the luminance values of the top element, making it useful for brightening components or forming highlights. 

A display blending method is applied to a top element.

Tone dodge

Tone dodge method offers a more radiant impact than Display method by reducing the differentiation between the top and bottom element hues, resulting in more vivid mid-tones and blown highlights. Black hues do not change. 

A tone dodge blending method is applied to a top element.

Comparison methods

Comparison methods involve a blend of techniques from the Darken and Brighten categories. They create a contrast by both brightening and darkening the final hues through complementary blending methods to achieve the ultimate outcome.

Hues darker than 50% gray will undergo a darkening effect. Hues brighter than 50% gray will undergo a brightening effect.

Overlap

Overlap method combines the Multiply and Display methods, with the bottom element always prevailing. Overlap mode employs Display method at half intensity on hues lighter than 50% gray, and utilizes Multiply method at half intensity on hues darker than 50% gray. 50% gray itself becomes transparent. 

An alternative approach to understanding how Overlap method behaves is to consider how it shifts mid tones. Darker top element hues shift mid tones to darker shades, while lighter top element hues shift mid tones to brighter shades.

An overlap blending method is applied to a top element.

Gentle light

Gentle Light method functions similarly to Overlap method. It applies either a dimming or brightening effect based on the brightness values, but in a subtler manner. You can perceive Gentle light method as a milder version of Overlap method, without the stark contrast. The impact is akin to shining a diffused illumination on a background.

A gentle light blending method is applied to a top element.

Hard light

Hard light method merges Multiply andDisplay modes using the luminance values of the top element colors to perform its computations. The outcomes with Intense light mode have the potential to be strong. This creates an impact similar to directing a strong spotlight onto a background. To optimize the results with this blending mode, consider reducing the opacity of your element.

A hard light blending mode is applied to an element.

Differentiated modes

Overlay modes in the Differentiated category inspect disparities between the upper and lower element colors to generate the outcome.

Discrepancy

Contrast mode deducts the dimmer color of the elements from the brighter one. White inverts the hues of the lower element, black results in no alteration, and dim grays introduce a slight darkening impact.

A difference blending mode is applied to a top element.

Exclusion

Exception mode generates a result akin to yet less intense compared to Discrepancy mode. White inverts the hues of the lower element, black results in no alteration, and dim grays introduce a slight darkening impact.

An exclusion blending mode is applied to a top element.

Unified modes

Modes in the Unified set utilize different amalgamations of the core color constituents (hint, intensity, and luminance) to craft the ultimate outcome.

Hint

Hint mode produces a concluding color possessing the hint of the upper element’s color, while utilizing the intensity and brilliance of the lower element’s color. You can leverage Hint mode to modify hints in your upper element while sticking to the tones and saturation of the lower element.

A hue blending mode is applied to a top element.

Magnitude

Magnitude mode yields a final color containing the intensity of the upper element’s color, while utilizing the hint and brilliance of the lower element’s color. Utter gray tones, having no intensity, will not exhibit any effect.

A saturation blending mode is applied to a top element.

Shade

Shade mode leads to a concluding color containing the hint and intensity of the upper element’s color, while utilizing the brilliance of the lower element’s color. This safeguards the grayscale levels and is beneficial for tinting monochromatic upper elements.

A color blending mode is applied to a top element.

Radiance

Radiance mode’s final color contains the brilliance of the upper element’s color while utilizing the hint and intensity of the lower element’s color. This mode generates the opposite effect of Shade mode.

A luminosity blending mode is applied to a top element.

How to implement a blending mode to an element

By default, the blending mode for elements is designated as Normal.

To preview and attach a blending mode to an element on the canvas:

  1. Choose your element
  2. Access the Stylepanel > Impacts > Blending
  3. Tap the Blending dropdown selection
  4. Hover above any of the blending modes to experience them live on your element
  5. Select your blending mode to implement it to your element
The Style panel shows the Blending effects area highlighted.
The menu of all the Blending modes is shown with Multiply selected.

Extra references: Find out more about the Style panel.

Ewan Mak
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